The Critic - 1 Nov 2024
BLACKOUT BRITAIN
Fifth anniversary issue
FRANCE IN CRISIS | HARLAND & WOLFF BETRAYED | BORIS: WHO KNEW?
FRENCH LESSONS
Making a difference
FRENCH LESSONS
Dissolve the hotbeds of wokery
The French far right are losers
THIS MONTH’S COVER IS ILLUSTRATED BY SHONAGH RAE
Robert Hutton:
Countdown to energy apocalypse
Don’t bite the hand that feeds
Was Houellebecq right?
Profile: Bernard-Henri Lévy
Don’t idolise Roger Scruton
Light in the darkness
How H&W hit the iceberg
John Self: Our Evenings
George Woudhuysen: Polis: A New History of the Ancient Greek City State from the Early Iron Age to the End of Antiquity by John Ma
Why was I the only reporter?
No, Churchill wasn’t the bad guy
Sounding Board
Sketchwriting
My Woke World
The end of art critics
Iain MacGregor: Naples 1944: And The Making Of Post-War Italy by
Keith Lowe
Jeremy Black: Rogues and Scholars: Boom and Bust in the London Art Market 1945-2000 by James Stourton
Daniel Johnson: Kaput: The End of the German Miracle by Wolfgang
Münchau
D.H. Robinson: Blue Jerusalem: British Conservatism, Winston Churchill and the Second World War by Kit Kowol
Charlie Bentley-Astor: You Can’t Teach That! The Battle over University Classrooms by Keith E. Whittington
Charles Saumarez Smith: A Short History of British Architecture: From Stonehenge to the Shard by Simon Jenkins
THE SECRET AUTHOR
Helen Joyce
Sue Gray’s Inbox
Economics
Everyday Lies
Law
Woman about Town
Serious business
Arty Types
Romeo Coates
Alexander Lee: Wild Thing: A Life of Paul Gauguin by Sue Prideaux
Letters
MUSIC Norman Lebrecht
Charles Saumarez Smith
Hot House
Eating In
Drink
Art House
Deluxe
Country Notes
Turf Account
Style
Eating Out
Toby Young: Call the banter police
CINEMA
Robert Thicknesse
Sarah Ditum
Michael Prodger
Adam LeBor
RADIO
Ben Sixsmith
Boris Starling: The greatest Rumble
Patrick Kidd: Alive and flicking
Consent isn’t everything
QUALITY OVER QUANTITY
GOING FREELANCE
A NEW COMMON GROUND
NET BENEFITS
Pronouncing the death penalty
Woman About Town
SUE GRAY’S INBOX
Countdown to an energy apocalypse
On the King’s Road to ruin
How H&W hit the iceberg
Making a mockery of Labour
Going, going, gone: the end of art critics
If Trump wins, it’s over
Why the French far right are a bunch of losers
Now’s your time, House of Lords
Was Houellebecq right?
Was Houellebecq right?
Bernard-Henri Lévy
Bernard-Henri Lévy
Roger Scruton should not be idolised but rather viewed as a guide to rethinking an evolving conservatism, argues Sebastian Milbank
The tax-and-spend timebomb
Light in the darkness
Why was I the only reporter?
NO, CHURCHILL WASN’T THE BAD GUY
Dissolve the hotbeds of wokery
EVERYDAY LIES WITH THEODORE DALRYMPLE
Don’t bite the hand that feeds the birds
Izzy Hardcastle
Adam Dant on...
Adam Dant on...
STUDIO
Boris: the PM who could do no wrong
Boris: the PM who could do no wrong
Bursting the myth of the “people’s war”
A passionate battler for buildings
The monumental cradles of democracy
Life amid the ruins
Vorsprung durch Technik R.I.P.
Sometimes it’s best to shoot the messenger
The restless life of a very bourgois rebel
The big picture
An actor’s story is a late career marvel
Chill message of Booker shortlist
Romeo Coates
Romeo Coates
According to the agent,
Passing the baton to the offspring
Booze or muse?
One of the greats
Art of the deal
Sophocles’s lackof-foresight saga
Cardinal win
The horror of 7 October on film
The tragedy of Radio 3
Marianna in the trenches
The Warburg refurbished
The Warburg refurbished
Belle époque on a plate
Robot recipes
A taste of history
Complex fractions
Silk Road splendour
Which country?
Hoorah for winter!
Puss in boots
Plane English
Toby young
Patrıck KıDD
Toby young
Borıs starlıng
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