THE PRINT SUB/PLOT

A trio of printmakers explore cinema in their latest work, crosspollinating to create a distinct sense of angst and existential unrest.

ARTS DESK

At the exhibition’s opening on a rainy Saturday in Powerscourt, it’s clear that Catherine O’Riordan, director of SO Fine Art Editions, and Richard Lawlor enjoy one another’s company. O’Riordan is quick to point out that it was Lawlor who conceived of...

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