Apollo Magazine (UK) - 29 Mrz 2025
The sonic visions of Oliver Beer
How the Acropolis became modern
The Frick returns to Fifth Avenue
38 Dutch Treats
Maving Waves
Fricking Great
Wheels of Fortune
Letter
Food
Agenda
In Perspective
Wine
Collectors’ Focus
Cover
Letter
Art Market
Architecture
Around the Galleries
Editor’s Letter
‘The Book of Marvels: Imagining the Medieval World’
‘Gertrude Abercrombie: The Whole World Is a Mystery’
Richard Taws, Time Machines: Telegraphic Images in NineteenthCentury France, by Kirsten Tambling
Will Wiles on a 20th-century French portrait with a family link
Jérémie Koering, Iconophages: A History of Ingesting Images, by Tim Smith-Laing
‘Medardo Rosso: Inventing Modern Sculpture’
Enrico Maria Dal Pozzolo, Sebastiano del Piombo, by David Ekserdjian
Off the Shelf
Portals to the past
April Our picks of the month
Imperial preference
Canal knowledge
Art Dubai
Gallery highlights
Fairs in focus
‘If your art did not conform to the pure ideal, nothing could save it’ Hettie Judah on ‘degenerate’ art
The Duchess who scandalised Spain Christopher Turner finds the Liria Palace in Madrid paying tribute to its late, great owner
‘Immortal, indeed!’ Zoe Guttenplan on the sensational designs of Alphonse Mucha
‘A nod to the ineffability of ancient Athens’
Method in a bottle
Hen-mania
EXCEPTIONAL EARLY CLOCKS
DUTCH TREATS
DUTCH TREATS
WHEELS OF FORTUNE
WHEELS OF FORTUNE
MAKING WAVES
FRICKING GREAT
FRICKING GREAT
Gender trouble
Want more from Apollo?
French fancies
Reviews
Gertrude’s bounce
Around the world
Face to the future
Off the shelf
Acquired taste
Send and receive
A sound beginning
‘There’s love in it, and it was bought in love’ Will Wiles on a French avant-garde portrait with a family connection
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