ArtReview - 8 Nov 2024

Table of content - ArtReview (8 Nov 2024)

Critique
Here endeth the lesson
The Endurance of Tableau Photography by Dorrell Merritt
The Interview Harminder Judge
Art Against Populism
Alt-religion
Identity Politics
The Art Review: Case Studies
Hans Haacke
Saule Suleimenova
Scott Burton
Harminder Judge
A Self-sustaining Practice
Does tableau photography deserve to survive? asks Dorrell Merritt
As Hong Kong gets swept up in anniversary celebrations for the People’s Republic of China, Ilaria Maria Sala reports on ‘good days, awkward days’ in museum and gallery programming
Is it the season of the witch? In the face of ‘polycrises’, Nathaniel Budzinski considers whether the cultural turn towards the pagan and the occult is really just escapism
It’s time for largescale exhibitions to address the realities of general audiences, says J. J. Charlesworth, rather than catering to the interests of the curatorial class
Hans Haacke and Liam Gillick
No Longer Hiding in Plain Sight
No Longer Hiding in Plain Sight
Returning again and again to an archival photograph, the Khazakh artist has deployed modest means to write women, as well as others marginalised by patriarchal regimes, into history
What’s in a name?
Mexico City (the posh bit)
Groundhog Day
Local Flavours
Art Reviewed
PST ART Art and Science Collides
Le’andra Leseur Monument Eternal
Angelica Mesiti The Rites of When
Manifesta 15
Gisèle Vienne This Causes Consciousness to Fracture – A Puppet Play
Marlene Smith Ah, Sugar
Electric Op
17th Lyon Biennale
Energies
Hyeree Ro Niro
PST ART Art and Science Collide
15th Baltic Triennial Same Day
Sophia Al-maria and Lydia Ourahmane Grey Unpleasant Land
Alison Wilding Testing the Objects of Affection
Udomsak Krisamanis light my way
Apophenia, Interruptions: Artists and Artificial Intelligence at Work
Kenji Ide Some other times
PST ART Art and Science Collide
Books
The Spirit of Hope
Book of Games
In Writing: Conversations on Inspiration, Perspiration and Creative Desperation
Set My Heart On Fire
The African Gaze: Photography, Cinema and Power
The Use of Photography

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