The New Yorker - 30 Jun 2025
Feeding the world while curbing climate change.
A museum of bodily anomalies confronts its past.
What comes after a partner’s hip surgery.
David Remnick on the Iran crisis; DOGE’s new director; a hardcore candidate; math and Mark Hamill.
“South Carolinian American Sonnet for Independence Day”
The optimization of the N.B.A.
What does NATO mean now?
A childhood appearance in the magazine.
A new recording of Bach’s B-Minor Mass.
“F1,” “Sorry, Baby.”
New Bond
Haim’s “I Quit.”
“The Bridge”
The Zoomer sex drought.
Briefly Noted
“God”
“Happy Days”
GOINGS ON
CONTRIBUTORS
THIS WEEK IN THE NEW YORKER APP
TALKING TRASH
MARK TWAIN’S FIXATIONS
BIRDS OF BROOKLYN
A PASSAGE WEST
ABOUT TOWN
What we’re watching, listening to, and doing this week.
Cactus Wren
Jennifer Wilson on three new poetry books.
SHOCK AND AWE—AND AFTER
THE TALK OF THE TOWN
THE DOGEFATHER PART II
PAST LIVES
NEVER TELL ME THE ODDS
CARE AND FEEDING
THE DESCENDANTS
NEW BOND
COLLECTIVE PUNISHMENT
COLLECTIVE PUNISHMENT
SOUTH CAROLINIAN AMERICAN SONNET FOR INDEPENDENCE DAY
John McPhee on His Childhood Appearance in The New Yorker
DEAD RECKONING
DEAD RECKONING
Happy Days
GOD
SEEDS OF DOUBT
BRIEFLY NOTED
SEX BOMB
WHEN TO QUIT
BACH’S COLOSSUS
WRECKAGE
THIS WEEK’S CONTEST
THE FINALISTS
THE WINNING CAPTION
CARTOON CAPTION CONTEST
THE CROSSWORD
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