艺术学研究 - 28 Sep 2025
“影游融合”丛书五卷本
乔治·迪迪—于贝尔曼的症候图像学
原始主义的幽灵：21世纪法国的“他者”展示
从“文本批评”到“话语批评”—跨文化语境下中国艺术展览类型化现象分析
“自创生”与算法—德勒兹的艺术发生学及其当代启示
1931—1945年中国抗战美术文献的理论认知及其世界面向
虚拟主播的三重身体：后人类视域下的数字具身实践
译者导读：人类学家眼中的艺术诸问题
作为系统的“体制”：中国式现代化语境下艺术体制理论阐释
经说与实用：汉唐之间乐律知识传承的两重面相
从经验到算法：人工智能驱动下美术馆展览转型与反思
乡村建设行动背景下的艺术乡建与地方营造
民俗艺术与文旅开发的协商与博弈：以北京通州张家湾项目实践为例
唐代杂言曲子辞体式生成与发展中的音乐逻辑
作为跨媒介史转向实践的电影改编史
“提视造境Promptoscape：国际人工智能艺术文献展”展览现场
书讯· “影游融合”丛书五卷本
Canonical Interpretations and Practical Applications: Two Dimensions in the Transmission of Knowledge about Musical-tuning between the Han and Tang Dynasties
Negotiation and Interplay between Folk Art and the Development of Cultural Tourism: A Project in Zhangjiawan Town, Tongzhou District, Beijing
The Enduring Power of Primitivism: Showcasing “the Other” in Twenty-first-century France
Autopoiesis and Algorithm: Deleuze’s Artistic Genesis and Its Contemporary Implications
From “Textual Criticism” to “Discursive Criticism”: The Phenomenon of Chinese Thematic Exhibitions in Cross-cultural Contexts
Revitalisation through Art and Place-making against the Background of the Action for Rural Construction
The Triple Bodies of Virtual Streamers: Digital Embodiment Practices from a Posthuman Perspective
“Institution” as System: An Interpretation of Art Institutional Theory in the Context of Chinese Modernization
The Musical Logic behind the Formation and Development of the Zayan Quzi Ci Poetic Form during the Tang Dynasty
The Theoretical Understanding and Global Dimensions of Chinese Art Literature on the War of Resistance Against Japanese Aggression from 1931 to 1945 ·················
From Experience to Algorithm: The Transformation of and Reflection on Museum Exhibitions Driven by Artificial Intelligence
Toward a Symptomatic Iconology: Reading Georges Didi-huberman ·····················
Translator’s Introduction: On Various Issues of Art in the Eyes of Anthropologists ······
The History of Film Adaptation as a Practical Turn in Transmedial History
1931—1945年中国抗战美术文献的理论认知及其世界面向
【摘 要】 抗战美术文献既包
乔治·迪迪—于贝尔曼的症候图像学
译者导读：人类学家眼中的艺术诸问题
原始主义的幽灵：21世纪法国的“他者”展示
从“文本批评”到“话语批评” —跨文化语境下中国艺术展览类型化现象分析
【摘 要】 艺术批评具有特定的
作为系统的“体制”：中国式现代化语境下艺术体制理论阐释
“自创生”与算法—德勒兹的艺术发生学及其当代启示
虚拟主播的三重身体：后人类视域下的数字具身实践
作为跨媒介史转向实践的电影改编史
经说与实用：汉唐之间乐律知识传承的两重面相【摘 要】
唐代杂言曲子辞体式生成与发展中的音乐逻辑
民俗艺术与文旅开发的协商与博弈：以北京通州张家湾项目实践为例
乡村建设行动背景下的艺术乡建与地方营造
从经验到算法：人工智能驱动下美术馆展览转型与反思
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